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There is a lot of things to love about Nuendo, but most (if not all) of them are not exclusive to VSTs. Cubase 12 Pro as a whole still impresses many people with its dual-channel sampler, dual-scope metering and its polyphonic sequencer, all built from the ground up. Cubase is also the only DAW that makes it easy for you to build a custom instrument using sample-accurate edit and mix functions. Its also somewhat unique in that you can fully zoom into every part of a file on the track view, something not found in other DAWs (ADIR, the other DAW in Steinbergs product portfolio, is unique in this regard as well).
Cubase also allows you to distribute your audio work with the utmost ease. Your project files will be safe, and you can easily share them with your clients. Its WYSIWYG and VST friendly, and loaded with tools to make you sound good. Cubase also features a broad range of MIDI tools, a powerful MIDI sequencer, and you can easily save new MIDI patterns, maps or presets. Lastly, the Cubase enterprise cloud features – with a license – unlock all Cubase functionalities for one single payment.
Reason 12 is a revelation, particularly when you consider that it compiles such a huge feature range into such a small footprint. Its a DAW for anything from hip hop and R&B to EDM, and its scaling signature style has a lot in common with Steinbergs Cubase. There is also a Reason 12 Trailers pack containing a bunch of demos and a lot of value for a few bucks more.
All round, there are lots of reasons to try Cubase. There are more tools, new tools, more options, a new way of working, more plugins, more features, a cleaner interface and a bunch of new IDE modes, a bunch of new smart features, and lots of new goodness.
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Meanwhile, the key reason I had ReWire Reason with Cubase 5 was to get an easy workflow for live sound in Reason and Cubase. I’ve used ReWire with most DAWs I’ve worked with, but with Cubase, Reason, and Steinberg, it’s almost a perfectly seamless process. I can start, stop, set inputs to internal or external, move things around, record and set up cue markers, layer and mix, solo things, mute stuff, do EQ, add panning, and maybe even record from Reason and play it back or send it to a reWire / Cubase bus for a track.
CUBE has a vast feature set, however it is EXTREMELY frustrating to use. It is my belief that the version of Cubase that Steinberg is selling is NOT the version they are pushing to the other studios. They have this amazing digital audio editor that has absolutely no “user-friendly” errors and is just at beck and call. Very impressive. However it is slow and cumbersome to learn. Quite honestly it is a HUGE “time sink” because you have to follow the many steps to accomplish simple tasks like, save a project, move it, trim a clip, etc.
But is that really what you want? If you are NOT the kind of person that can constantly be fiddling about with options, and would rather just create and play your music. And if you want to input the audio from Reason directly to Cubase without passing it through the in_Reason plug-in. Then use the in_Reason_Out output for this and use Reason as your audio editor. It is a lot easier in this case and does not require much fiddling around with options and menus.
I love Cubase but it is a bit difficult to navigate and needs a good “learning curve”. It has a great feature set, but you have to learn some tricks to get it to work properly and there’s no error messages. There is no way to have a window where you can immediately play back any MIDI you have plugged in (although once you get it working that would be very nice). And I really don’t like the idea of having a fixed number of input tracks (again, if there was a window open for each track it would be great).
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Who Uses Cubase and Why Is It Important?
Up to now, we only had the ability to master our tracks with analog consoles, such as the Neve BAE-2500 or the renowned SSL 4000, which were basically big mix consoles. With the latest software we now have the advantage to be able to master our tracks on any computer that has some software to do the job.
CUBASE has what is known as an “insert sound” feature. An insert sound is essentially a placeholder within your DAW that acts as an audio source. The user inserts a pre-recorded track from external software to get the job done. There are many apps available for this, such as Mixmax or the faderFX soft sampler, to name a few.
In addition to providing basic mixing functionality, Cubase also provides the ability to import various third party plug-ins, allowing the user to customize the user interface to his or her own needs. This is a feature that, unfortunately, might not be as widely used in the REAPER community as it was once upon a time.
As with REAPER and most other DAW programs, Cubase Crack works on the notion that its top priority is to get the user to the place where he or she wants to be rather than be confronted with irrelevant features or useless plug-ins, which detract from the goal.
To do this, Cubase offers some very powerful sound editors like Noise Editor, Sound Miners MaxMSP7 and Transient Designer. These are applications that can help you perform a variety of tasks much more quickly than would be possible with a traditional audio editing application:
- Noise Editor: Very useful when you want to approach a track as a collection of elements/elements as opposed to a single piece of music.
- Sound Miners MaxMSP7: Used in conjunction with Noise Editor for making sure that you are getting rid of unwanted frequencies, leaving you with the best part of the signal, or applying effects like resampling or echo as a preprocessing step.
- Transient Designer: Used in conjunction with Noise Editor to perform a number of useful tasks, including A/B testing presets, implementing individual panning controls for plug-ins, allowing you to use multiple filters on a specific element and even handing in to MixConsole for you to fine tune.
Cubase System Requirements
- Mac OS X 10.6 (or later) running on Intel Macs
- 2 Gigs of RAM
- 6GB Hard drive space
- 30MB of free disk space
- X64 Processor and Windows 3.1 or later.
- New SuperVision tools — including super dual-screen VU meters, spectrum analyzer and a new VU meter type
- Cubase works with Hi-Res audio files
- Pristine HP3000 and HP3500P multitrack sequencer
- New preset system with TranceBook and XtraTranceBook
- New professional tools — including Steinberg’s latest instruments, EQs, dynamics, tools, dual I/O and plug-ins
- New Squasher — a multiband limiter that offers front and side-chain limiting
- New Raiser limiter with super fast transient response — and much more…
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