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Those nagging doubts were gone pretty quickly, and I was able to start thinking about my favourite new features. The first was the new Clip Instrument. Its not really anything new, but having a dedicated device that allowed me to control the pitch of a clip and turn it on and off was a boon. It also allowed me to nudge a single clip left or right in the Arrangement view just by mashing my button, something that wasnt possible before. I love being able to treat clips as audio objects, and it makes it easy to see whats going on in a session all at once. Theres a new max for live app that runs directly on Mac OS X, and with it you can use Live on a PC, Mac or iPad with one system.
Ableton have added more touch based devices to Live, such as a multitouch drum pad, the ability to change the size and shape of midi clips, and an easy to learn browser-like interface for real time navigation of your libraries. It shows how powerful Live is becoming on a mobile device, with the ability to become a full size software orchestra.
Other than being a basic DAW, Live 9.5 has been completely rewritten from the ground up and is far more stable and streamlined than ever. It features a redesigned interface, new graphical user interface, and responds more intuitively to your input. Live 9.5 also introduces multi-touch support, and 4K output from 5.1 AudioSuite plug-ins that can be used in Live. Additionally, it now includes a new UI for developers, which gives them the ability to design Live applications and patch together existing modules. No doubt Live 9.5 will be a popular update for Live users.
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Like Studio, Live 11 lets you compose and perform audio and MIDI at the same time. But because you can edit all your audio at once, you can make changes to all the parts of a track quickly. Here are the top 10 features of Live 11:
1. Mix Better for Skype: If youve got Skype on your Mac, Live 11 is now compatible with Skype meetings. You can hook up your mics and create a Skype call, and the program will show what your mix and audio setup looks like in the chat window. And when youre talking, you can make adjustments to your mix in real time. It requires no external Skype support, but if youre already talking to someone, Skype in Live lets you answer your call and chat at the same time. It works by sending audio to Skype at the same time as youre talking to someone in the chat window.
2. Delay Plugin: The Delay effect has been ported to Live 11. It works very much like the existing Delay effect in Live, but is easier to use, creates a delay effect that is in sync with the recorded clip, and responds more accurately to keyboard dynamics.
Only 24% of the profits from Live 11 go to charity. That could be explained away as a good thing: music is about making money, after all, not doing good works. But it’s a jarring contrast to the headline A-list of musicians who are involved in the project: Bill Gates, Madonna, Radiohead, and many of the world’s great orchestras and other music groups. I’d love to see more donations going to a charitable foundation that could be spending these funds on helping musicians continue to grow and learn, like the Berklee Institute that was founded in 1985.
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Ableton Live Features
Ableton Live also contains all of the usual DAW controls like EQ and panning, so its capable of a wide range of functions that are common to DAWs with this sort of feature set. To get a good idea of what these tools can do, see this short video from Ableton CEO Eric Chahi : https://www.youtube.com/watch?v=R3xuWtV3bnI
The future of Session View
The Session View has had a great impact on Free Ableton Live Download since its introduction as a separate product, and there are other features, such as the clip launcher and its ability to play back sessions, that may in the future replace the use of Session View. This is not to say that Session View is going to become extinct, it will continue to evolve and be a major feature of the product. But I think there will be a shift away from the Session View feature (and its relationship to the Session View application itself) as the DAW becomes more focused on audio and MIDI editing tasks, which is something it was never designed to do, and something that Session View has a difficult time with. In this context, Session View is more of a compositional tool that is almost always still tied to the DAW. My opinion? By the time of the next major software update, Session View will have new features to develop that make it more like an audio editor, and I am sure that will transform it into a much more relevant use of Session View.
I will touch further on this topic in the future with my next blog, and show you some of my personal favourite apps and devices, but I want to get you thinking about the things that you are already creating with Live! If you have any articles or DAW related topics that you would like to see covered, drop me a note in the comments below or @me on Twitter. Stay tuned folks, as my primary focus will be Max for Live, but I will inevitably throw some other tunes in there too.
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What’s new in Ableton Live
- Improved support for the Octatrack by adding more control of the Drum Fills
- Separate Clip view to explore your Tracks more freely
- Transpose tool, thanks to the addition of a Note Off operator
- Mixer with Presets, Comfortable and Easy to Use
- Control the Clips outside of the song with a tempo change function
- Save, Load and Restart your Projects with the Save/Load tool
Ableton Live Features
- Kontakt Instrument (plug-in) to mimic Real Kontakt 3.5 instruments
- Reason Plugin to send all of the Ableton Live parameters (song-wide) into the DAW’s internal mixer. You will also be able to record and edit tracks into your clip.
- Vintage Delay to create delay and choruses/edits.
- Master FX to create effects like chorus, flanger, phaser, chorus, EQ and more.
- MIDI From Input to send your MIDI instruments (clicks, melody, pad, etc.) and to set your MIDI map.
- Audio to record audio from the Audio In or the audio out of your audio interface.
- MIDI to record your MIDI instruments.
- Video from clip.
- MIDI Learn to connect to an external controller.
- Use of Text and Reverb or any other parameters found in Kontakt.
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